For all Writers Workshop submissions requesting grading, your Script Pipeline reader will grade the script with one of the following three designations:

"Not Circulation Ready" (NCR) - Our version of the typical studio/production company "Pass" grade. Since Script Pipeline never actually "passes" on a script (writers can re-submit the same script as many times and with as many different drafts as they wish), we've created the NCR grade

to indicate that the project should not be sent out and circulated quite yet. Either more work needs to be done with story development, the premise needs to be re-thought, characterization or dialogue is not up-to-speed. . . any number of semi-major to major creative and technical problems with the script will warrant an NCR grade.

Consider - Once the script is deemed close to circulation, it is given a Consider. While a Consider script will require further revisions or polishing, the writer is at the stage with their project where they can begin working more one-on-one with a Senior Analyst. This may include a number of follow-up E-mails or a brief phone consult to discuss the script--whatever it takes to iron out the details and push the script through its final leg of getting ready for industry review.

Recommend - With a grade of Recommend, Script Pipeline goes through the following process:

• The script is given some final notes by the Senior Analyst.
• We work with you on your logline, query letter, and assist on what companies to target, how to approach them, and what markets you should target with your project.
• Your script's info is posted on our Recommend Scripts section of the site (viewable ONLY by Script Pipeline Industry Users).
• The logline and other info on your script is placed in our circulation E-mail, which reaches over 100 production companies, agencies, and managers.
• You may re-submit the Recommend script at no cost if changes are made and you're seeking further feedback.
• Our partner at iScript will record the script for FREE.  To learn more about this amazing service, click on the graphic below. 

  

Note that writers are NOT REQUIRED to have their scripts graded.

In the case of "High Recommends," those projects that we find to be extremely well-written and marketable, we may consider personal introductions to certain outlets (e.g. management or production company), or review the script ourselves for possible option.

It should be noted that Script Pipeline's process of grading screenplays can be very strict, as we want writers to put forth the best possible example of their work. This not only pushes them to improve their writing, but increases the odds of finding representation and/or getting their work optioned, sold, and produced.

Over the past decade, we have built numerous contacts within the industry, and our Recommend scripts are a reflection of our committment to finding quality writers open to refining their skills, and thus preparing them for an increasingly competitive industry. That said, in a perfect world, we'd give all halfway decent scripts a Recommend in the hopes that somewhere they'll find a home. In reality, this isn't possible, and our adherence to stringent guidelines gives our circle of industry contacts confidence and trust that they'll be receiving quality projects.

Frankly, we don't mind what type of story you want to write, or what type of concept or theme you wish to explore--we simply want superb storytelling. Along those same lines, keep in mind we don't require scripts of a particular genre, style, theme, etc. All genres and formats are welcome to submit. Essentially, Script Pipeline is looking for one thing: good writing from dedicated writers.

**Please realize that Script Pipeline is NOT a management or representation company. Therefore, we do not take a percentage of any Recommend scripts if they are eventually sold. We do, however, encourage all Recommend writers to update us on any success stories, as that helps track the progress and success rate of former writers. . . plus, we think it's pretty cool to see our writers find success.

Since the launch of the Writers Workshop, Script Pipeline has taken the process of selecting readers extremely seriously. As such, we employ a very small, close-knit group of trusted and experienced analysts (under 10 total, including Senior Analysts). Some are active managers or development execs, others have earned their Masters degree in screenwriting, and a handful currently read (or have read) at studios, agencies, and major production companies, such as CAA, Lionsgate, WME, Disney, Dimension Films, and New Line Cinema. Many are active writers themselves, well-versed on the current state of the film/screenwriting marketplace, and all share an intimate knowledge of story structure and that crucial balance between creativity and marketability.

If you are interested in becoming a Script Pipeline reader, please E-mail us at jobs@scriptpimp.com for consideration. Be aware that we have the following minimum requirements:

• At least 3+ total years reading for a studio, major or mid-major production company, agency, or management company, including readers who are current or former development execs
• A firm understanding of all genres related to film, from traditional to experimental
• An active awareness of current industry trends as related to writing and general production
• Superior communication, interpersonal, and writing skills
• A BA in Film, English, or relateable degree (or have proven sufficient experience in basic, scholastic film/writing knowledge)

*All prospective readers must provide at least five samples of previous coverage, studio-style or direct-to-writer notes, as well as complete three samples on selected scripts using Script Pipeline's Workshop structure.

An often-overlooked, yet KEY facet in the marketing of your work.

It’s hard enough to develop realistic characters and structure a compelling plot. Many writers focus exclusively on the creative aspects of a screenplay. But when a script lands in front of a busy studio reader or producer, format and presentation can be just as important as the creative content. A professional-looking script is a sign of an experienced writer taking the craft seriously. Just as our Writer’s Workshop guides writers through the development process, our Editing Services ensure that a screenplay’s presentation, formatting, and grammar (overall syntax) is impeccable.

Full copy editing will iron out:

• Formatting Issues
• Grammar & Spelling
• Sentence Structure/Consistency
• General Syntax

We will perform a FREE one-page sample edit so that you may determine if the service suits your needs.

Please email matt@scriptpipeline.com for more information and to receive a price quote.

Proofreading - Starting at $2/page for screenplays
This service includes a detailed read to ensure no spelling mistakes or grammatical and formatting errors.

Full Editing - Starting at $3/page for screenplays

This service includes the above, plus corrections to presentation and syntax, polishing of any inelegant language, and ensuring correct word usage. Please email matt@scriptpipeline.com for more information and to request a quote.